The Telly and the Cow

Confession: I am one of those wretched, painful people who don't really like TV - and, this is the part I am most ashamed about: I don't actually approve of it. Admittedly, there are evenings when I'll plonk myself down in front of the TV and mindlessly let whatever's on wash over in a numbing wave of colour, movement, noise and questionable information. I'll watch things like 'America's Got Talent' and 'The X Factor' for the early rounds of auditions, but lose interest once things supposedly 'get serious'. Sometimes a documentary will catch my attention - but even then, it is so often a disappointment: it never delivers enough information to sink my teeth into! And then, of course, there's Jamie Oliver and that sweetly scraggly guy from the River Cottage which I enjoy for their almost perfect package of information, personalities, visuals.

But where is all this leading, Lisa? Well, in our house we have a disparity of opinion regarding television. Craig can watch TV from the minute he walks through the front door. It's his way of unwinding. Where I can watch maybe an hour's worth before needing to do something 'more constructive' (you can see my snotty bias, huh?), Craig can spend the entire evening soaking whatever may be on - even content to randomly switch between channels, mid-programme. THIS infuriates me beyond reason - usually throwing him a glare of such hot indignation very quickly has him hunting for the channel we were on before!

I want to know that a programme starts at 8pm -- then I'll settle in to watch it from beginning to end. Not so the man of our house! But, truth be told, I think it's really me who is the problem. I'm the one who's potentially anally retentive/ eccentric - where Craig is probably the most normal and well-balanced. And, to combat my need for TV that is stimulating and satisfying for me, Craig joined Lovefilm.com so I could at least get my weekly dosage of nourishing television!

Last night, we watched 'Atonement' and 'Brick Lane'. 'Atonement' was beautifully filmed and layered in meaning and iconography - speaking of love, mature and immature - as well as truth, betrayal, time lost, forgiveness and, naturally, atonement/penance. (My mom, a dress designer in Cape Town, had to make a replica of Keira Knightly's green silk dress for a client. Throughout the entire film, I found myself being distracted by how the dress managed to stay on --- did she need double-sided tape to keep the dress glued to her willowy, flat chest?!)

'Brick Lane', also mostly set in London, was filmed with the most exquisitely sensual attention to detail, and especially colour and light. The story reminded me so much of my friend, Pakshi, who was forced to marry an older, Indian man in London - exiled from her cherished sister and the land of her heart to live in the crowded grime of alien London. Slow-moving, like a languid poem, the story unfolds like a fading sari until the very end is reached... (of which I can say nothing about - but for Soutpiels living in the UK, it will surely surprise you!)

Our domestic television habits aside, I must also tell you that my homesickness reached such a devastating low, that it has taken weeks of building myself up again with hope and keeping busy. But this is a conversation for another day...